10.25.2016 / Douglas Crimp

Crimp_sm

Douglas Crimp in Conversation with Tina Takemoto

Tuesday, October 25, 2016

Timken Lecture Hall, SF Campus

7-9pm

Free and open to the public. Seats are first come, first served.

Douglas Crimp is the rare art critic whose work profoundly influenced a generation of artists. He is best known for his work with the “Pictures Generation”—the very name of which Crimp coined to define the work of artists like Robert Longo and Cindy Sherman who appropriated images from mass culture to carry out a subversive critique. But while his influence is widely recognized, we know little about Crimp’s own formative experiences before “Pictures.”

Before Pictures tells the story of Crimp’s life as a young gay man and art critic in New York City during the late 1960s through the turbulent 1970s. Crimp participated in all of what made the city so stimulating in that vibrant decade. The details of his professional and personal life are interwoven with this the particularly rich history of New York City at that time, producing a vivid portrait of both the critic and his adopted city. The book begins with his escape from his hometown in Idaho, and we quickly find Crimp writing criticism for ArtNews while working at the Guggenheim—where, as a young curatorial assistant, he was one of the few to see Daniel Buren’s Peinture-Sculpture before it was removed amid cries of institutional censorship. We also travel to the Chelsea Hotel (where Crimp helped the down-on-his-luck couturier Charles James organize his papers) through to his days as a cinephile and balletomane to the founding of the art journal October, where he remained a central figure for many years. As he was developing his reputation as a critic, he was also partaking of the New York night life, from drugs and late nights alongside the Warhol crowd at the Max’s Kansas City to discos, roller-skating, and casual sex with famous (and not-so-famous) men. As AIDS began to ravage the closely linked art and gay communities, Crimp eventually turned his attention to activism dedicated to rethinking AIDS.

Part biography and part cultural history, Before Pictures is a courageous account of an exceptional period in both Crimp’s life and the life of New York City. At the same time, it offers a deeply personal and engaging point of entry into important issues in contemporary art.

Tina Takemoto is an American artist and associate professor of visual studies at California College of the Arts in San Francisco. Takemoto’s work explores issues of race and queer identity. She has presented work internationally, and received numerous grants for her work, notably from the James Irvine Foundation and the San Francisco Arts Commission. Her film Looking for Jiro received Best Experimental Film Jury Award at the Austin LGBT International Film Festival and opened MIX 24: New York’s Queer Experimental Film Festival.

Takemoto also writes articles for Afterimage, Art Journal, GLQ, Performance Research, Radical Teacher, Theatre Survey, Women and Performance, and the anthology Thinking Through the Skin. Takemoto is the board president of the Queer Cultural Center and co-founder of Queer Conversations on Culture and the Arts.

This program is part of the Queer Conversations on Culture and the Arts Series and supported by the Office of the Provost, the Visual and Critical Studies Program and the Queer Cultural Center.